This time we have a real treat for you, as Áron spoke to some of the creative minds whose work allowed HBO’s brand new mini series to look and feel this lived in, this surreal yet lifelike.
In chronological order you can hear the show’s editors Paulo Pandolpho and Peter Lambert (01:08), followed by production designer Kave Quinn (35:32), and last but not least to complete the story behind the visuals, cinematographer Alwin H. Küchler (1:03:38).
This unusually long episode gives some insight on piecing the six episodes together in terms of pacing, keeping the inside and the outside of the palace as far and different from one another as possible, and even how power and responsibility go hand in hand not just for the Chancellor, but for people in the film industry as well.
(Photo credit: HBO)
This time we have a real treat for you, as Áron spoke to some of the creative minds whose work allowed HBO’s brand new mini series to look and feel this lived in, this surreal yet lifelike.
In chronological order you can hear the show’s editors Paulo Pandolpho and Peter Lambert (01:08), followed by production designer Kave Quinn (35:32), and last but not least to complete the story behind the visuals, cinematographer Alwin H. Küchler (1:03:38).
This unusually long episode gives some insight on piecing the six episodes together in terms of pacing, keeping the inside and the outside of the palace as far and different from one another as possible, and even how power and responsibility go hand in hand not just for the Chancellor, but for people in the film industry as well.
(Photo credit: HBO)