We Need to Talk About Oscar Podcast Artwork Image

We Need to Talk About Oscar

We Need to Talk About Oscar

In We Need to Talk About Oscar you can hear interviews with filmmakers. We are trying to shed some light on a wide range of professions within the industry, so apart from the writers/directors/actors you can also get insights from editors, production designers, composers, and so on. Our aim is to provide an across the board picture on how our favourite films and tv shows come to life. 

The interviews are conducted by our two co-hosts, Áron and Szilveszter. 

The credit for the logo and the design goes to Réka Sereghy.
We Need to Talk About Emmy #10: Florian Hoffmeister on the cinematography of "True Detective: Night Country”June 21, 2024
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Unpacking “Jazzy”: Inspiration, emotion and executionJune 14, 2024
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Is there an “Antidote” to all this?June 11, 2024
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How the night changes over "The Weekend"June 09, 2024
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The Rich Tale of a Director Who Decided to Give His Film a Long TitleJune 07, 2024
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We Need to Talk About Emmy #9: Weronika Tofilska and Krzysztof Trojnar, the driector and cinematographer of “Baby Reindeer” Eps. 1-4June 05, 2024
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We Need to Talk About Emmy #8: Showrunner Steven Knight on how the lies prevail over the truth in "The Veil"May 29, 2024
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We Need to Talk About Emmy #7: Marty Beller on scoring S2 of "American Rust"May 24, 2024
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Production designer Jess Gonchor on stepping into John Krasinski’s imagination for “IF”May 20, 2024
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The idea of a score with Sidd Koshla, composer of ‘The Idea of You’May 17, 2024
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We Need to Talk About Emmy #6: Editor Viks Patel on his collaboration with Park Chan-wook for “The Sympathizer”May 13, 2024
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'Monkey Man' composer Jed KurzelMay 09, 2024
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We Need to Talk About Emmy #5: Barry Ackroyd BSC on lensing “The Sympathizer” Ep4May 06, 2024
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We Need to Talk About Emmy #4: ‘Shōgun’ Ep1&2, with director Jonathan van Tulleken and cinematographer Christopher RossApril 23, 2024
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Inside the visuals of ‘Immaculate’, with cinematographer Elisha Christian and production designer Adam ReamerApril 11, 2024
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We Need to Talk About Emmy #3: The craftsmanship behind HBO’s ‘The Regime’April 08, 2024
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We Need to Talk About Emmy #2: The music of ‘RIPLEY’ and ‘Fargo’ S5, with composer Jeff RussoApril 05, 2024
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‘Immaculate’ editor Christian Masini on creating the horror atmosphere that will punch you in the faceApril 03, 2024
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How composer Will Bates used an out of tune 19th century piano to heighten the eerie atmosphere of 'Immaculate'March 27, 2024
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We Need to Talk About Emmy #1: ‘The Gentlemen’ series through the lens of cinematographer Callan GreenMarch 23, 2024
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‘Spaceman’ screenwriter Colby Day on creating a meaningful relationship drama in a science-fiction settingMarch 19, 2024
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How music can embody feelings, with the composers of ‘Orion and the Dark’March 17, 2024
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How to honor, yet bring something new to earlier soundtracks, with 'May December' composer Marcelo ZarvosMarch 13, 2024
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The parallel between gangsters and Julianne Moore's Gracie, with 'May December' screenwriter Samy BurchMarch 10, 2024
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How ‘The Holdovers’ achieved its ‘70s look both behind and in front of the camera, with Eigil Bryld and Ryan Warren SmithMarch 07, 2024
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